Midnighters: The Secret Hour

cover image for Midnighters: The Secret HourWesterfeld, Scott. (2004) Midnighters: The Secret Hour. New York, NY: HarperCollins Children’s Books

Plot Summary:

Jessica Day has just moved Bixby, a small town in the great state of Oklahoma. She isn’t sure quite what she was expecting, but it certainly didn’t include waking up at midnight one night to find the rain that had been pouring a moment ago suspended in the air as if time had stopped.  Jessica quickly learns that most everything else spends the secret hour frozen in place; the only people or creatures that are ever awake during it are herself and a handful of her classmates at Bixby High. Well, and the Darklings, who exist only during the secret hour and seem especially determined to hunt down Jessica.  Luckily Jessica and her new friends, Dess, Rex, Melissa, and Jonathon have some very unusual but sometimes useful superpowers.

Critical Evaluation:

Westerfeld’s plot concepts are are always crack for the imagination, and his execution here isn’t half bad either.  There’s nothing about this story that doesn’t sound odd when laid out and summarized, but on the page it’s exciting and magical rather than absurd.  Neither is everything perfect either, the teens superpowers come with a high price and their friendships are complicated and full of baggage.  It’s fairly complicated for a young adult novelabout superheros, but it never lets this get in the way of having fun.

Reader’s Annotation:

She isn’t sure quite what she was expecting from Bixby, OK but it certainly didn’t include waking up at midnight one night to find the rain suspended in the air as if time had stopped.

Author Information:

http://scottwesterfeld.com/

http://scottwesterfeld.com/forum/

@scottwesterfeld

One of the great things about Scott Westerfeld’s site is that he doesn’t just encourage fans to engage with him, he encourages them to interact with each other and with his books; not only does his site include a forum but his blog will regularly feature fan art and creations.

Genre:

Action Series

Booktalking Ideas:

I love recomending this book to library patrons and will usually talk up either the Secret Hour, the Darklings, or the superpowers.  For a booktalk I would try to touch on all three.

Reading Level/Target Age:

6th grade/14-17

Possible Controversy:

There might be some people who have religious objections to the premise – especially the presence of the Darklings.  Other than that it’s unlikely to be challenged.

Reasons for Choosing This Title:

Once I read the premise – after noticing the book’s cover – I was totally drawn in.

Crispin: The Cross of Lead

cover image for Crispin: The Cross of LeadAvi. (2002) Crispin: The Cross of Lead. New York, NY: Hyperion Books for Children

Plot Summary:

As a serf and the fatherless son of an outcast mother, Crispin’s future has never held been especially bright.  When his mother dies, and he is accused of thievery, it grows bleaker still. On the run and not even sure why he is really being hunted, Crispin sets out merely to survive but ends up unearthing the secrets of his birth.

Critical Evaluation:

This is really meant for younger readers and will appeal best to them, but Avi’s work here is engaging, dense, and layered and will work well for many older readers as well.  Crispin’s actions and thoughts are sometimes too childish for some older teens to relate to, but they are not overly simple or shallow either.  Avi also sheds light on a period of time that is rarely talked about in young adult historical fiction – especially historical fiction featuring boys.  While it generally belongs in the young reader section, it will often be a good book to pull out for reader’s advisory.

Author Information:

Home

while Avi does not have a twitter, blog, or facebook, he does do class visists via skype

Genre:

Historical Fiction

Booktalking Ideas:

This would be a good title to ask teens to imagine themselves in Crispin’s situation and ask them what they think they would do in his shoes.

Reading Level/Target Age:

6th grade/12-15

Possible Controversy:

As this title is generally considered tame enough for elementary students, there is little here that would cause anyone to object to it being available to teens.

Reasons for Choosing This Title:

I have been meaning to read this and figured this was as good of an excuse as any.  In retrospect, perhaps a title meant for a slightly older audience would have been better.

The Name of the Star

cover image for The Name of the StarJohnson, Maureen. (2012) The Name of the Star. New York, NY: G. P. Putnum’s Sons

Plot Summary:

Rory’s parents are spending their sabbatical teaching at the The University of Bristol.  So Rory gets to finish up high school at Wexford, a private boarding school in London rather than back home in Louisiana.  After a somewhat rocky start, including getting drafted for the field hockey team and almost choking to death in the dining hall on her third day, Rory settles in and finds her niche. But Rory’s time in England may not end up being the postcard perfect experience she was hoping for.  There’s a killer on the loose in London; someone is copying Jack the Ripper’s kills – and Wexford is right in the center of his favorite hunting grounds.

Critical Evaluation:

Name of the Star is typical MJ: clever, heartfelt, and more than a little bit off (in a good way).  The oddness makes the pacing less perfect that it could be, but it also takes what might have been a very predictable story about supernatural killers and instead keeps readers constantly guessing about who is going to do what next – and why.  Like Johnson herself, the characters have personality to spare, but never come across as larger than life or someone you would only meet in the pages of a book.  Overall, it was quite enjoyable and I very much look forward to the rest of the series – and I think many teens will too.

Reader’s Annotation:

A murderer is on the loose in London, recreating the crimes of the city’s most notorious serial kill: Jack the Ripper – and Rory’s school is right in the middle of his hunting ground.

Author Information:

http://www.maureenjohnsonbooks.com/blog/

@maureenjohnson

(if you are not following Johnson on twitter, you should be. She’s hilarious.)

Genre:

Mystery

Booktalking Ideas:

This is a good title for “what if?” type questions.  What if you had to go to another school for your last year? What if you started seeing ghosts? etc.

Reading Level/Target Age:

5th grade/14-18

Potential Controversy:

There is sneaking out, drinking (but legally! well, mostly), and of course murder and supernatural elements.

Reasons for Choosing This Title:

All of the other books of Johnson’s that I have read were on the scale of “enjoyable” to “awesome.”

 

White Cat

cover image for White CatBlack, Holly. (2010) White Cat.  New York, NY: Margaret K McElderry Books

Plot Synopsis:

 Cassel isn’t a good kid who dreams of being a hero, he’s a mundane born into a family or curseworkers that longs to be respected in the family business.  Struggling to appear normal so as not to attract attention at school, making ends meet by being a bookie for his classmates, wishing he could forget that it’s his fault his best friend is dead, and trying to remember what exactly happened that night take all he has and then some.  So he really doesn’t have time for strange white cats and odd dreams that leave him stranded on school rooftops, uncertain as to how he got there.
Critical Evaluation:
Overall this is a suspenseful tale that, like all good speculative fiction, draws enough parallels to real life to get readers thinking, but without being preachy or having an agenda.  While the worldbuilding is lacking in places, the curse magic, and it’s reliance on touch, is a welcome change of pace from more standard fare.
Reader’s Annotation:
Everyone has strange dreams sometimes, but when Cassel’s leave him stranded on the rooftop of his dorm, unsure of how he got there, he begins to worry that there is more going on than he thought.
Author Information:

Home

http://blackholly.livejournal.com/

@hollyblack

Genre:

Mystery

Booktalking Ideas:

The whole idea of a mob run by curseworkers is incredibly intriguing.  Black has bracelets that she passes out at signings that are different colors and have the names of the types of curse workers in her books.  It would be fun to copy that and pass out something to listeners that tell them what kind of curse worker they are and then go on to set up the basic plot.

Reading Level/Target Age:

5th grade/13-19

Potential Controversy:

This book has murder, betrayal, persecution, and much more, but the part that will likely generate the most controversy is the use of the word “curse” to describe the magic.

 Reasons for Choosing This Title:
I love Black’s books and her Curseworker’s series intriguing, new, and appears to be well researched.

Monster

cover image for MonsterMyers, Walter Dean. (1999) Monster. New York, NY: HarperCollin’s Children’s Books

Plot Summary:

Sixteen year old Steve Harmon is in jail, waiting to be tried for murder, and not even his attorney is convinced he’s innocent. If he’s convicted, it will be decades before he can get out.  Overwhelmed and afraid, Steve retreats to his journal, telling his story in screenplay form, just like he learned to do in film club at school.

Critical Evaluation:

The cover of Monster is covered with so many prestigious awards it’s a wonder there is room for anything else – and it deserves every one of them.  The idea of a novel as a screenplay does not sound like a brilliant idea, aside from the novelty factor, but Myers work here is brilliant.  Not only is the screenplay itself well done but the detachment and insightful commentary found in it is in stark contrast to Steve’s more personal and panicked journal entries.  Together they offer thought-provoking and empathetic commentary on not only Steve’s plight but on the dangers, discrimination, and stereotypes that black boys like Steve must navigate.

Reader’s Annotation:

“The best time to cry is at night, when the lights are out and someone is getting beaten up. That way they won’t hear you.”

Author Information:

Welcome

Genre:

Award Winner

Booktalking Ideas:

One of the more clever parts of the book is the fact that it’s never quite clear if Steve is guilty or not; this allows Myers to both suggest innocence while also making the case that Steve deserves compassion regardless. I think it would be interesting try a booktalk that casts the listeners as the jury and the presenter as an attorney.  That way in can present it as a kind of whodunit (which is a driving plot point) but also keep the focus on letting the readers make up their own minds, as the book does.

Reading Level/Target Age:

4th grade/14-19

Possible Controversy:

There is frank talk of rape and other violence perpetrated by inmates and the view of the justice system is honest but not terribly flattering.  Like many things that make books controversial, this is also a big part of what makes it such an essential story.  The multiple awards as well as the importance of the topic should help when making a defense.

Reasons for Choosing This Title:

I’ve been remiss in not reading anything by Myers before and this is one of the titles I hear about most often.

Chasing Yesterday: Awakening

cover image for AwakeningWasserman, Robin. (2007). Awakening. New York, NY: Scholastic

Plot Summary:

JD’s earliest memory is of waking up in pain, on the ground, unable to move.  She doesn’t know what happened, how it happened, or why she was there.  She doesn’t know where she came from or where she belongs.  She can’t even remember her own name – that’s why the hospital calls her Jane Doe.  After a short, terrifying time in group home, suddenly a stranger arrives.  She seems to have all the answers – and she claims to be JD’s mother.  But is she? Or is JD involved in something more sinister and mysterious than she ever suspected?

Critical Evaluation:

Short and fairly uncomplicated, especially for a story about amnesia and superpowers, Awakening feels more like the first act in a longer novel than a story all by itself. It’s a quick and entertaining read, but the lack of depth makes it less than memorable and more appropriate to middle grade readers than high schoolers.

Reader’s Annotation:

D’s earliest memory is of waking up in pain, on the ground, unable to move.

Genre:

Adventure

Booktalking Ideas:

Booktalking this novel alone – as opposed to the series – would be a bit of a challenge, as the part I think is most interesting (JD has being taken to live with the woman claiming to be her mother) happens halfway through the book and is a pretty big spoiler.

Reading Level/Target Age:

4th grade/9-14

Possible Controversy:

This book is really too childish for older teens for it to really provoke much controversy.

Reasons for Choosing This Title:

This was suggested by one of our textbooks, or else I never would have chosen it for this class.  (And now, having read it, I am wondering if misread the suggested age.)

Double Helix

cover image for Double HelixWerlin, Nancy. (2004) Double Helix. New Yor, NY: Penguin Group.

Plot Summary:

Working with the exalted Dr. Wyatt of Wyatt Transgenics is supposed to be about solving the mysteries of science, but for Eli it’s also a way to try to uncover the secrets of his past.  His father may be dead set against Eli taking the job (although he won’t say why) but Eli knows that Dr. Wyatt is the only person both willing and able to explain the mysterious papers her found in his father’s desk.  With his mother dying from Huntington’s disease and his father growing ever more distant, Eli start to rely on Dr. Wyatt even more.  But can Quincy Wyatt be trusted?

Critical Evaluation:

Fascinating and fast paced, Double Helix is definite page turner.  It’s very consciously a young adult novel; not only does Eli struggle with his identity and maturing responsibilities and relationships, but the mystery itself echoes these themes. Which makes it all the more disappointing that Werlin could not stick the landing.  After close to several hundred pages about characters that are surprisingly raw and real, and a setting that is possible if not entirely probable, Werlin turns her realistically arrogant villain into a cartoon for no obvious reason other than to end with a lecture on the dangers of gene therapy. It’s a let down for readers who have been waiting to see how everything turns out and insulting to teens intelligence, as if they could not understand a more nuanced and ambiguous ending.

Reader’s Annotation:

Working with the exalted Dr. Wyatt of Wyatt Transgenics is supposed to be about solving the mysteries of science, but for Eli it’s also a way to try to uncover the secrets of his past.

Author Information:

Home

http://www.facebook.com/nancy.werlin

Genre:

Mystery

Booktalking Ideas:

It has an interesting premise and characters, so I would likely stick with that.  I don’t know that I would ever booktalk this title though, because I don’t think I believe in it enough to sell it.

Reading Level/Target Age:

6th grade/14-18

Potential Controversy:

While the book tackles a controversial subject (and does so, in the end, in a heavy handed matter) it is not a particular lycontroversial topic in terms of adults getting nervous that teens may know or talk about it.  The sex discussed in the book is more likely to result in controversy.

Reasons for Choosing This Title:

I am a bit of a nerd so the idea of a science mystery appealed to me, especially when the book in question also won an Edgar Award.

Liar

cover image for LiarLarbalestier, Justine. (2009). Liar. NewYork: Bloomsbury.

Plot Summary/Critical Evaluation:

Everybody lies.  We say that we adore gifts that we hate, profess delight in meals that are lacking, and assure our parents that yes, our homework is all done.  For most of us, the lying ends there.  Not for Micah though, she doesn’t just tell the occasional white lie, she’s a compulsive liar.  “But [she’s] going to stop.”  She has to.  So pay attention, because she’s going to tell you the truth and she’s “going to tell it straight.  No lies, no omissions.”

Layer by layer, Larbalestier peels back Micah’s deceptions to expose the truth and banish the lies, but they are rarely what you’d expected.  Micah doesn’t pretend to know bands that she has never heard of, claim to own trophies that she never earned, or fake an illness to get out of class.  Rather, she decides to wear a Venetian mask to school – and forges a doctor’s note to justify it.

There is a peculiar and unexpected honesty in Micah’s fibs.  False as they are, they also let her push against the edges of conformity and let Micah be herself without forcing her to claim to know who she is when she doesn’t yet.   At the same time, they also act as role to play and hide behind – even from herself.

When her friend Zach disappears, however, Micah discovers that her lies might finally cost her more than just the goodwill of her peers.  No longer simply a cathartic confession of past sins, Liar quickly becomes an especially twisted kind of mystery, with Micah’s admissions of falsehood and guilt taking on the urgency of someone both digging for the truth and fighting for survival.

The twists and turns that Micah’s story takes also do more than keep readers on their toes. Because of the way that the story is structured, the lies rely as much on our assumptions of what constitutes normalcy as they do on Micah’s audacity. It’s beyond brilliant, exceptionally appropriate in a novel for young adults, and Larbalestier deserves nothing but praise for pulling it off.

This is a novel that, like Micah, refuses to be boxed in.  It’s not simply that it flirts with genres the same way that Micah plays with her identity.  Rather, like Micah herself, how you classify it and how much you enjoy it will greatly depend on which parts of her story you choose to believe.

Larbalestier’s clear understanding of the fandom traditions of genre fiction bleed onto the page, demanding that the conversation expand beyond the reading of the book itself.  Liar is a novel that is meant to be talked about, it’s value and interest is fundamentally tied to comparing notes and possibilities afterwards.  The obvious conundrum is that spoilers for a book such as this – even mild ones – would also impose points of view that would limit the discussions afterwards.

So when I tell you that you must read it – and now – know that I say this not because it is lacking flaws, but because I am eager to hear what you thought of it.

Reader’s Annotation:

Everybody lies – sometimes.  Micah lies all the time.  She’s going to tell you the truth though, so listen up.

Author Information:

Home

@JustineLavaworm

Genre:

Science Fiction (but that is my opinion.  I assure you that you may have a completely different one)

Booktalking Ideas:

This is actually a very difficult book to talk up, for the reasons already mentioned in the review.  Most shorter book talks can simply focus on the idea of the unreliable narrator.  Longer ones will have to try to bring in mild spoilers from the first few pages – Zach’s disappearance being on of the major ones.

Reading Level/Target Age:

5th grade/14-18

Potential Controversy:

Micah is bisexual, lies to her parents (duh), sneaks around with her boyfriend, and, well, let’s just say there is a decent amount of violence.  I wouldn’t really expect many challenges, however, because I can’t see many people talking about this book with people that have not already read it.    Challenges that do come up can be responded to with the fact that the book is meant to be, in part, an exploration of the rationalizations we make for less than moral choices; Micah’s more dubious actions are not condoned by the text.

Reasons for Choosing This Title:

I honestly wasn’t terribly intrigued by the idea of a “psychological thriller” about a teen girl who lies.  I have a lot of respect for Larbalestier herself though, based on her posts and tweets, and the book was recommended by a friend.  I am very glad I decided to finally read it.

Death Cloud

cover image for Death CloudLane, Andrew. (2010) Death Cloud. New York, NY: Farrar Straus Giroux



Plot Summary:

Young Sherlock Holmes is looking forward to going home after another semester away at school. Instead, he has been shipped off to his aunt and uncle’s country estate.  Sherlock resigns himself to a long summer spent in the non-bustling village of Farnham, but instead finds himself mixed up in all kinds of mysterious occurrences, from deaths of unknown origins to black clouds that seem to have a mind of their own.  Now it’s up to Sherlock to stop a plague and save the British army.

 
Critical Evaluation:

The flap copy highlights that this is “the first teen series endorsed by the Conan Doyle Estate,” suggesting that this particular story has something special to offer. Sadly, this is not the case.  It’s a perfectly passable story that manages to be odd enough to avoid predictability despite the plot not being terribly well thought out.  While the time spent reading it was not exactly a waste, I think most teens that might enjoy this novel would get more enjoyment out of the original stories, despite it featuring an adult rather than teen protagonist.

Readers’s Annotation:

Sherlock Holmes may be only [age] – but that doesn’t mean he’s not on the case!

Author Information:

Andrew Lane does not have a site, but the series does:

http://www.youngsherlock.com/

Genre:

Mystery

Reading Level/Target Age:

6th grade/12-16

Booktalk:

(Wait…you aren’t supposed to book talk books you didn’t like, right? Does that mean I can skip this part? No?)

It’s tempting to use the popularity of the recent TV series in order to get teens interested in reading this particular novel, but they are very dissimilar in terms of style and I think many fans of the BBC adaptation show would be disappointed in the book if I did that.  Rather, I would focus on the more fantastic parts of the plot.

Possible Controversy:

Unless mediocre prose and absurdly unlikely plots and characters are going to start being a reason to challenge teen books, I think this title is safe.  There is violence, but nothing that stands out in comparison to the rest of young adult literature.

Reason for choosing this title:

I promise I did not read this because of Cumberbatch of Moffet, I hadn’t seen the tv show when I started reading it.  I just thought a story about a teen-aged Sherlock Holmes would be interesting and the cover looked like it was something that might catch teens’ attention.

I’d Tell You I Love You, But Then I’d Have To Kill You

cover image for I'd Tell You I Love You, But Then I'd Have To Kill You

Carter, Ally. (2006) I’d Tell You I Love You, But Then I’d Have To Kill You. New York, NY: Hyperion Books for Children

Plot Summary:

Most everyone in town thinks that the girls that attend the Gallagher Academy for Exceptional Young Women are nothing but a bunch of spoiled snobs.  That’s the way they like it though, because when the truth is that your school is training you to become a spy, it’s always good to know your cover story is holding up.  But when an ordinary boy starts to notice Cameron Morgan (nickname, the Chameleon) she’s suddenly not so sure that she wants to keep hiding in plain sight.

Critical Evaluation:

There’s no denying that Ally Carter’s excessively popular Gallagher Girls series is stuffed to bursting with silliness and absurdly improbable scenarios – like schedules printed on evapopaper and field trips that involve “borrowing” delivery trucks.  It also has a lot more depth than it often gets credit for.  Snuck between the slapstick comedy and preciousness are some interesting questions about identity, sacrifice, and who heroism is really for.  When Cammie’s new teacher questions if her father should have gone on the mission that ended up being his last, he isn’t just talking about skills, but rather asking if it was worth it.

The text does not provide neat answers to these questions, but neither does it dwell on them; rather than challenging anything head on or at length, it tends to come at things sideways and then quickly move onto more diverting topics.  Complexity is often dismissed in favor of humor and happy endings.  I think it is this, as much as the trappings of the book, that causes some to dismiss the series.

That’s alright though, because, like the Gallagher Academy itself, that’s how it’s supposed to work.  While others may roll their eyes at the silliness of it all and dismiss their fannishness as rooted in finding shiny! happy! preppiness appealing, the fans themselves know what their plaid skirts really represent.

This isn’t a series specifically for older teens, although many may like it and it’s a respectable inclusion in any young adult collection.  The audience it will most appeal to are younger teen girls, who are just beginning to be pressured to hide their passions and intelligence; the girls who are in the process of losing the fearlessness of girlhood for the insecurities and self-consciousness of adolescence.  [Unfortunately, I also need to add the qualifiers of “white, straight, middle class” younger teen girls, for while it could be worse in terms of inclusiveness, it could also do much better.]

For the girls that come to signings decked out in Gallagher Girls plaid, the series clearly offers them a way to hide in plain sight, just like Cammie does.  Readers are not necessarily challenged by the series, but it does offer much more than comfort or amusement– it offers a path for subversion that may perhaps be too safe to be effective in changing things now, but yet still gives girls the strength to stay true to themselves until they feel more confident in speaking their minds publicly.  The high expectations that Cammie and her classmates have for themselves, and the knowledge that failure means more than just some red marks on a page, also give voice to the pressures of perfection that many girls feel without requiring that they directly question the institutions they take part in. In short, it gives them a way to make a show of embracing compulsory femininity while not feeling ashamed of their complicated and less than perfect inner selves.   It is this, I think, that is the secret to the series success – and the reason why it is only occasionally brilliant and yet also cleverer than it often gets credit for.

Reader’s Annotation:

Cameron “Chameleon” Morgan gets top marks in her covert ops classes, so why is it that an ordinary boy with no spy training at all notices her?  And what will happen if Cammie decides that she no longer wants to stay hidden?

Author Information:

http://allycarter.com/blog/

@officiallyally

Genre:

Girl’s Series

Booktalking Ideas:

Most everyone in town thinks that the girls that attend the Gallagher Academy for Exceptional Young Women are nothing but a bunch of spoiled snobs.  That’s the way they like it though, because when the truth is that your school is training you to become a spy, it’s always good to know your cover story is holding up.

Reading Level/Target Age:

6th grade / 10-16

Potential Controversy:

I honestly cannot think of any.  Not so much because there is nothing for anyone to object to – because there is always something someone will find objectionable – but because the series does such a good job of hiding from the people who would object to it.

Reasons for choosing this title:

I was curious by the age levels suggested in Teen Genreflecting 3 because the girls I saw lining up at a signing two years ago were all very young.  I also wanted to see for myself what makes the series so appealing.

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